ALICE KRISTINA ROSE
Working in collaboration with designer Holly Murray and maker Keith Jury to create this splendid set of sailors costumes, each maximising the use of contrasting textures and weights.
Working alongside costume maker Debbie Williams, focusing on hats and shoes to create textural bird costumes, based on illustrations. The costumes are designed to be touched and explored by young audiences.
Working alongside Holly Murray and designer Claire De Lune to create a set of paper-inspired, textured costumes, durable enough for multiple international tours.
Ellie Griffiths as Plane, wearing a removable neoprene-based Paper Aeroplane, with functioning removable Paper Aeroplane hat detail.
Working on head pieces and statement collars, alongside .Head of Costume Debbie Williams.
Designing & creating a variety of puppets, representing creatures you would find in an ocean environment.
Working in collaboration with Holly Murray to create the wonderful designs of Claire De Loon: a padded foam staircase, banister rail, and trampoline skirt.
Creating a set of chorus costumes for Stagecoach Youth Theatre, to be used by multiple classes.
Designing & making a luxurious Father Christmas costume, with multiple versions to allow for cleaning and actor rotations.
A close-up showing the embroidery and beading detail of the Father Christmas suit.
Designing and creating a puppet, to be used for storytelling for under 5's, and also to be handled by under 5's.
The titular Captain, an elderly pirate who is experiencing a personal disaster: he has lost his treasure! Oh dear...
Working from an initial brief to design & create the Communication Pod, an immersive environment to instigate creativity and storytelling.
The interior of the Communication Pod, featuring 50+ metres of hand-ombre-dyed cotton muslin drapes.
Working in collaboration with Holly Murray to create the wonderful designs of Claire De Loon: luxurious bedding for an upright bed for a very sleepy princess!
Creating a soft-touch puppet representing a book illustration: the 'Ziz', from 'The Hardest Word', to be performed in various synagogues for Yom Kippor.
Designing & creating a mixed set of 20+ 'Aviator Elf' costumes, to be used throughout the South Coast's popular Winter Wonderland attraction.
Designing & creating an immersive rain-forest world, with a selection of puppets representing the creatures which live there.
Designing & creating a variety of puppets, representing creatures you would find in an ocean environment.
Working in collaboration with Holly Murray to create the wonderful designs of Claire De Loon: a cast of pampering beauticians, in their best and shiniest clothes!
Creating 80+ pairs of velvety sheep ears, to be worn by audience members.
Working from the marvellous Jacobean-inspired designs of Claire De Loon to create these structured sheep costumes, with the hats made by Maija Nygren.
Working in collaboration with Holly Murray to create the wonderful designs of Claire De Loon: an embroidered golden galleon sailing the high seas!
Working in collaboration with Holly Murray to create the wonderful designs of Claire De Loon: a royal collar, garlanded with grapes and leaves.
A felted spider on fishing wire.
Design & Construction for an R & D period for a new show, culminating in a short run of performances across Croydon.
Working from the source text of 'Orpheus In The Underworld' to design an immersive site-specific opera, bringing to full realisation the design of the character of Pluto.
A close-up of the fabric samples and texture idea for the character of Pluto, using a variety of layered embroidery techniques.
A close-up of the finished embroidery detail for the character of Pluto, giving the effect of creeping growth across the characters joints.
The floor cloth and cushion pads for the small-scale touring fairy-tale world.
The Gingerbread Man! A hand puppet with head, arm and leg movement.
Working as assistant to main costumier Holly Murray, taking responsibility for creating the flamboyant hats of Claire De Loon's lovely designs.
Designing & making a layered ball gown, with satin, lace, chiffon, and pearl buttons.
Construction of Catrin Dudfield's design for the Anatomist, working with prosthetics artist Malwina Suwinska, using various fabric dying and embroidery techniques.
A close-up of the Anatomist, showing the hand-dyed stripes of the velvet waistcoat, and the embroidered blood clots.